Showing posts with label folk art. Show all posts
Showing posts with label folk art. Show all posts

Wednesday, May 23, 2012

Terracotta Warriors

This project is a great way to tie art and history together, if you are studying China or Asian cultures in your classroom, you can create an army of terracotta warriors with your class.  The Terracotta Army is a collection of terracotta (a type of clay) sculptures depicting the armies of the first Emperor of China. The purpose of these warriors was to protect the emperor in his afterlife and to make sure that he had people to rule over.  There are over 8000  life-size warriors, horses and chariots that make up the collection.  It had been buried until  farmers accidentally found them in 1974 while digging a well in a remote area of the Shaanxi Province.  


Once you have discussed the amazing magnitude of the terracotta army with your students and shown lots of pictures, each student can easily create their own warrior. You can use terracotta clay for this project if you want (it contains a lot of iron and hence it stains everything easily!) but I used a low fire white earthenware clay and stained the surface of the clay afterward to get the rich red tones.  Start by giving your students a piece of clay that is about the size and shape of a hot dog bun.  With a knife, cut the bottom third of the clay down the middle.  This will create two separate legs.  Then cut from where the armpit would be on an angle towards the outer edge of the block of clay to create each arm.  Next squeeze the clay to create a neck and round out the head with your hands.  This should give students a basic human form.  They can change the position of their warrior if they want to by bending the limbs to make it kneeling or sitting.  Next have them use tools and their fingers to create the details and features. Remember that if they add any clay on, they'll need to scratch-to-attach.  Use lots of references to look at the details in the uniforms of the warriors.  Once they are dry, you can bisque fire them and then I painted mine with a red iron oxide wash to give them their terracotta color. If you've used terracotta clay, you won't need to color them.  To make the wash use 2 parts red iron oxide to one part gerstley borate (all available at ceramic supply stores) and mix with water to a thin consistency.  Paint on the wash and then use a damp sponge to wipe the surface off lightly.  Glaze fire the pieces and you can assemble your terracotta army ready for battle!


!!!B CR8IV!!!

Wednesday, May 16, 2012

Henna Hands

Henna is a natural dye that is used to decorate the body especially the hands for special occasions such as weddings in many Asian cultures. The designs are intricate patterns of shapes, flowers, spirals, waves and lines.  For this project, I show my students lots of examples or patterns and designs, we also practice a few on paper first.

You may want to cover your tables with newspaper to make clean up easier.  To make the hands, each student needs a latex glove (be sure to use thick gloves NOT the thin food service type), then mix up a small batch of plaster and pour it into the glove while the student holds it open. Once their glove it full, have them pinch it closed and hold it up until the plaster hardens (about 10 min).  The stiller they can be holding the plaster, the less chances of fingers breaking off once its dry, I have my students tell jokes or riddles while they wait.   HINT: You may need to mix up multiple batches depending on the size of your class, try not to mix up to much at one time or it will harden before you get to pour it into the glove.  If you have never worked with plaster before, I recommend trying it out on your own before attempting with a class--it's a very manageable classroom material if you know what to expect!

When the plaster hardens you can lay the gloves down on the table and carefully cut the glove off with scissors.  You should have a perfect hand shape which may stand up if the bottom is flat enough ( you can sand it flat if its not!).  I let these dry completely over night.  To clean up any plaster disasters, let it harden and then break it up with a scraper and hammer, through the hardened chunks away.  If you want to get it out of the bucket you mixed it in, let it harden and then flex the plastic bucket to pop it off the sides.  DO NOT LET PLASTER GO DOWN THE SINK!!  I set up a 5 gallon bucket of water for students to wash their hands and any tools in, then just dump that water outside.

Once the plaster is set, use watercolor paints to paint the entire surface of the hands, the plaster will absorb the paint quickly.  You can use this as a time to tie in a color theory lesson explaining the differences between warm colors and cool colors or just give them primary colors and have them experiment mixing.  Once the paint is dry, give students a selection of fine and ultra-fine sharpie markers to start their henna patterns with.  I encourage students to do at least 10 different patterns and to cover the whole surface.  They can use the patterns they drew earlier as references on their final pieces.

HINT: If you have broken fingers, they can be fixed!  Take a small drill bit and drill about 1/2" into the finger that is broken and also into where it connects.  Cut an inch long (or shorter) dowel of wood, such as a shish kabob skewer, dip the ends into glue and fit it into the drilled holes.  You can also add a little bit of glue to the plaster surfaces, push the broken pieces together gently and let dry!  


!!! B CR8IV!!!

Wednesday, April 18, 2012

Paper Bead Necklaces

In a tent city called Delmas 33 in Port au Prince Haiti, workers were busy creating beads from garbage papers they had found.  On a recent trip there, HOPE Art was lucky enough to learn how to make them and watch as they turned trash into necklaces, bracelets and earrings to be sold in the states which would in turn provide income and employment to Haitians.  I made the ones in the picture using a combination of magazines, postcards and food packaging.  


Collect your materials and  cut them into long skinny triangles.  The widest width of the triangle will be how wide your bead is and the length will determine thickness of your beads.  The thickness of the material you're using will also change the thickness of the bead.  Experiment with a few different sizes to gauge what kind of beads you want to make.  Next using a skewer, start to wrap the paper around the skewer tightly, starting with the widest part of the triangle.  When you get to the end, use a bit of glue to keep the bead from unwrapping.  Continue making your beads this way, you can keep them on the skewer if that's easier.  Once you have all your beads made you'll want to coat them with a clear lacquer to protect the paper, you can use clear spray paint, clear nail polish, modpodge, what ever you've got on hand.  You'll probably want to do a few coats and just keep the beads on the skewer the whole time until they dry.  Once dry, use some fishing line and other colorful beads to assemble your found art jewelry.   




!!!B CR8IV!!!

Friday, March 9, 2012

Tiki Heads

These fun tiki heads are a perfect lesson in symmetry for students. I show my students lots of examples of symmetry in art and nature before we start this project.  I also have them sketch out a plan on paper of what shapes they will use to create their clay tiki head.

Start by rolling out a 3/8ths of an inch slab of clay and cut out a rectangle that is about 5" x 10".  Wrap the rectangle up into a cylinder and scratch-to-attach the edges together.  Trace the bottom of the cylinder onto another slab of clay and scratch-to-attach the circle onto the bottom of the cylinder. Now its time to start building the tiki face.

Take your scrap flat pieces of clay and roll them out a little thinner with a rolling pin.  Use a knife to cut out each of the shapes that you need to build the face and scratch-to-attach them onto the cylinder.  I challenged my students to choose at least 6 completely different shapes and to use at least 15 pieces to build their tiki faces.  I also challenged them to create two unique faces, one on each side of the cylinder.  You can adjust the challenge for your students ability and age level.  Dry your pieces, bisque fire them and then glaze.  You can also challenge students to use at least 10 different colors on their pieces if you'd like to get some super rainbow tiki heads! Once they are fired you can also put plants in your tiki heads to make them grow hair!

!!! B CR8IV!!!

Wednesday, December 21, 2011

Totem Poles

Native Americans of the Pacific Northwest have been carving totem poles for generations, this clay project exposes students to the traditional techniques and symbolism used by the carvers.  Start by showing students examples of totem poles and the symbolism of the animals used in the poles.  Generally the animals in the poles tell a pictorial story, this can be a way to incorporate a writing project with an art project in your classroom.  Once students have chosen their story or their choice of symbols and animals, its time to build.

Start by giving students 6-8 ping pong sized spheres of clay (one for each animal).  Have students break off a little bit of the clay and start by shaping the body of the animal, typically it will be round or oval shaped, then use the extra clay to make the body parts such as legs, arms, wings, tails, facial features etc... don't forget to scratch to attach on all the parts well.  Use tools to create details like scales on a fish or claws on a bear.  Once each animal is built, you will need to cut a hole from the top to the bottom of each animal, I used a thin wooden dowel.  The top animal of the totem pole only needs the hole to go in about halfway so that you don't see the dowel poking out the top of the totem.  Be sure to make the hole slightly larger than you think you'll need because clay shrinks when it dries and is fired.  Next, fire all the pieces, glaze them and fire them again.

Once all of the pieces are finished, its time to assemble them.  I use cut blocks of 2x4's for the bases, it's good to pre-cut these then have students write their name on the bottom and sand them smooth with sand paper.  I also pre-drill a hole into the center of the base the same size as the dowel that you'll be using to stack your totem.  Squeeze a little wood glue into the drilled hole and slide in the dowel.  While the glue is drying, have students wipe the sawdust off the bases and then paint them.  I used a black acrylic paint, but you can use any color you'd like or have students use markers to color them in so you don't have to wait for the paint to dry.  Once your base is ready, start sliding the animals onto the dowel, hopefully you've made the holes large enough and they all fit easily.  If you have trouble with fit, you can either use a smaller dowel or use a Dremel tool with a grinder bit and grind the hole in the animal larger (this can take some time!).  When you add the last animal on the top of the totem pole, put a little glue into the hole and fit it on snugly.  If the dowel is too long, just cut it to the correct height with garden shears, then glue on the top piece.  Have students share their totem story with the class!
!!!B CR8IV!!!

Wednesday, October 26, 2011

Day of the Dead Shadowbox

Inspired by the Mexican holiday Dia de los Muertos or Day of the Dead, this year my students made nichos or shadowboxes with clay skeletons.  This was done in a two day workshop.  I show students lots of examples of day of the dead folk art and we discuss the events of the holiday.  On the first day, we made our clay bones, all of the parts are hand built separately except for the spine and ribs which are scratched-to-attached together.  Some students added hats to their skulls and some added guitars or dresses to add to the festive skeletons.We also painted the box on the first day with acrylic paints.  I used cardboard boxes but you can use any interesting box or container you find.  Cigar boxes, wood packing boxes or even small drawers will work great.  Once the bones have been fired in the kiln and the paint on the box is dry, you are ready to decorate.  Each student will need a good tacky glue to use to glue the bones in position to the back of the box.  They other elements can be added using found objects or other materials.  I used glitter paper, rickrack ribbon, cut copper foil, beads, found plastic pieces & cut fabrics.  You could also use sharpie markers to decorate on top of the painted box or right on the clay bones.  Wall paper or wrapping papers with festive colors or flowers would be a great addition too.  As students finished their nichos I punched two holes in the top of the box and pulled a ribbon though tying knots on the ends so that they could hang their shadowboxes on the wall for decoration.  There are so many colorful and creative options for this project, so enjoy and B CR8IV!!